s/n RR140001

Francis Rossi ‘Live Aid’ Configuration Replica
s/n  RR140001

This was the very first Roots Replicas Francis Rossi replica guitar I ever made. Building this guitar took many months to complete and involved huge amounts of research, hours of careful attention to detail and lots of extremely precise comparisons with the original guitar in order to make sure that everything looked just right. I decided at the end of the process that the finished guitar looked so good that I just had to make more and that the process should be recorded to show how it was done.

 

The success of guitar No. 1 inspired me to create this blog and to start recording the progress of a new build, from scratch. Starting out with the build of s/n RR150002 the idea was to show any aspiring guitar builders, who may be contemplating their first project, just how it’s done using step-by-step descriptions, videos, images and those all-important close-up build pics (see Home>Guitar build No.2).

 

This guitar was built over the summer of 2014 and took several months of detailed work  to complete, but it was all worth it when the finished guitar was first plugged into my Marshall amp and sounded just like vintage 1970s Quo!

 

I hope you enjoy reading this blog and checking out the other builds, pics and videos. If you plan to build a Francis Rossi classic era (1970s–90s) Telecaster you will find all the pics, references and detailed info you need to get started right on this blog.

 

Stringing

Stringing
Following on from my last post which covered the bridge, there were only a couple of jobs left to do. The electrics had to be soldered, followed by the fitting of a new set of strings. The electrics have now been soldered into position and all that remains is to fit the new strings. The strings we are going to use are the same gauge as Francis uses (9–42). So, from top E the individual string gauges are 9, 11, 16, 24, 32 and 42 and we are using a set of nickel-wound Ernie Ball Super Slinky strings.

Body2_Close Headstock2_Close

It’s important to ensure that the strings are wound in accordance with the established procedure for vintage slotted machine heads. Each string should be measured out to a predetermined length, bent to 90 degrees, crimped and cut to length before inserting into the tuner and wound carefully with the wind going downwards and with no overlapping. Fender have a set procedure for this, detailing all of the cutoff lengths which can be found in any of the many Telecaster manuals out there. A particularly good source of information is The Haynes Fender Telecaster Manual (By Paul Balmer).

Plectrum
This is quite a small detail, but worth noting anyway. Francis usually has a spare pick inserted under the edge of the pickguard, as you never know when you might drop one! Over the years he has used different picks in various colours. However, in order to be consistent with our Rollin’ Home pic and the period in question, we are going with a single black Jim Dunlop XL nylon pick and I believe that Francis still uses this pick today.

Plectrum Plectrum_Close

The XL is a very heavy pick and not for everyone, so it’s just there, inserted under the scratchboard to look the part. You could use a much lighter weight black pick which wouldn’t deform the pickguard as much as this one does when inserted underneath. The ripple that the pick creates in the pickguard is pretty permanent and will never fully flatten out again. However, you will remember from a previous post (see Pickguard) that with the body-mounted neck pickup it is very easy to swap over to a new guard at any time without having to disturb any other parts

Pickup selector switch
At the time of Live Aid and for sometime after, the OG was missing the black plastic cap that sits on the end of the pickup selector switch. In more recent years the cap has been present, but for our build we are leaving it off for the sake of authenticity and I think that it looks better that way anyway.

Body3_Close Lever_Close

Go to next post


Copyright Notice

All text content and pictures of the guitar build appearing in the pages and posts of this WordPress blog are the exclusive property of Roots Replicas (except where stated otherwise) and are protected under international copyright treaties. The text and pictures of the build contained within this blog are made available for your personal viewing enjoyment only.

All Text Copyright © 2015–17. Roots Replicas. All Rights Reserved

s/n RR160004

Francis Rossi ‘Live Aid’ Configuration Replica
s/n  RR160004 NOW SOLD

This guitar was built alongside No.3 and was put together in exactly the same way following all of the steps outlined in the main build page (see Home>Build No.3).

0004_closefront1s 0004_closeback

No.4 guitar is also strung with the same set of Ernie Ball Super Slinky strings and both guitars feature the same black Jim Dunlop XL nylon pick that Francis uses tucked under the pickguard.

0004_bottomside 0004_topside

Just like No.3, this guitar was also built using a 3-piece swamp ash body, is relic’d in the same way and features all of the same hardware, right down to the ‘Lego wheel’.

0004_head1 0004_head2

Months of work has gone into building these guitars and I hope that you enjoyed reading about how it was done. This is not the end of course, as there will be more builds in the future so please check back here regularly for updates, news and pics.

Many thanks to everyone who has viewed and commented on this blog worldwide and I hope that it may inspire you to build your own Francis Rossi replica guitar!

rr_ident


Copyright Notice

All text content and pictures of the guitar build appearing in the pages and posts of this WordPress blog are the exclusive property of Roots Replicas (except where stated otherwise) and are protected under international copyright treaties. The text and pictures of the build contained within this blog are made available for your personal viewing enjoyment only.

All Text Copyright © 2015–17. Roots Replicas. All Rights Reserved